Section: Film and TV
Latest articles
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Somali reality TV stars have boldly defied assumptions in one of the most ethically dubious areas of culture
Big Brother’s Hanah, and Real Housewives’ Chanel Ayan and Ubah Hassan, fast became fan favourites in a genre of TV where Muslim representation has been negligible
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Adeel Akhtar represents something quietly revolutionary
The actor returns to lead the long-awaited second season of Showtrial, elevating a series with plot holes and well-worn thriller tropes
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Restoration and reclamation reign at the London Film festival
Themes of erasure and renewal run through a selection of films looking to keep the stories of the Arab world alive
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Rewriting the rules: the history of Indian cinema shows the many faces of a changing nation
From the country’s first known queer film to feminist documentaries, Indian Parallel Cinema is finally getting the international recognition it deserves
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‘My intention is to provoke’: why director Laila Abbas made a film about Islamic inheritance laws
The Palestinian director on her feature debut Thank You for Banking With Us!, which traces two sisters who contend with patriarchal inheritance traditions after the death of their father
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The Apprentice: Ali Abbasi’s Trump origin story unveils a grotesque truth
The Iranian-Danish director returns with another grim tale — this time tracing a younger Donald Trump, whom he makes odious without becoming an inhuman caricature
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Fawzia Mirza on The Queen of My Dreams: ‘Love and joy are revolutionary’
The writer-director speaks to Hyphen about her first feature film, now in cinemas, drawing on her own experience as a queer Pakistani Muslim
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Venice film festival: a slim but exceptional selection of films from the Swana region
Our film critic reflects on her top picks by Muslim film-makers who screened their work at the 81st festival in Italy
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Review: In Camera satirises the film industry, but also shows how its future can be brighter
The debut feature from Naqqash Khalid, with its terrific lead Nabhaan Rizwan, proves that a far more interesting story lies away from the prototypical white protagonist
